Best of 2017. Albums 11-20

Step by step we are getting closer to the very top of the list.

<<< 41 - 50

<<< 31 - 40

<<< 21 - 30

20. Nudozurdo "Voyeur Amateur" (p)Mushroom Pillow

After beautiful but too calm "Rojo Es Peligro" the metropolitan trio returns with the album full of  emotions and bursts of guitar noise where Leo Mateos and his pals are swimming like fish in the pond.

SPTF

19. Les Sueques "Moviment" (p)El Genio Equivocado

Read the full review

18. Cala Vento "Fruto Panorama" (p)BCore Disc

The last year's eponimous album of Catalan duo sounded more like the step onto Nueva Vulcano territory, the new one is the major step forward in terms of finding their own way. Sonically and melodically it is more refined record, the sound is thicker and the songs are catchier.

BNDCMP                       

17. Karabash "D'Humans I Essers" (p)self-released

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16. Clara Plath "Yes I'm Special" (p)Flor Y Nata

Read the full review

15. Niños Mutantes "Diez" (p)Ernie Producciones

The recordings of the jubilee album (produced by Leon Benavente's Cesar Verdu) almost killed the band but resulted in the band's best effort to date.

SPTF

14. Exquirla "Para Quienes Aun Viven" (p)Superball Music

Read the full review  

13. Ran Ran Ran "L'Hereu" (p)Bankrobber

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12. Los Planetas "Zona Temporalmente Autonoma" (p)El Volcan/El Ejercito Rojo    

I should admit I've never got into "Una Opera Egipcia". So for me the waiting period was even longer than for those who embraced Los Planetas' 2010 LP. And now I declare it was worth it to wait for it: the long brooding record that can easily take you away from wherever you are now.

SPTF             

11. Arista Fiera "Arista Fiera" (p)Elefant

Welcome to my convoluted world where the 7 song long debut album by a young dreampop band may stand atop the brilliant long-awaited double LP by the Spanish indie rock definitive band.

BNDCMP

Sonorama 2016. The Report: The Best Of... Part Two

The Prologue
The Part One

What about my Assorted Selection? 

Copiloto (Thursday 11th, 19:50, Burgos). For me it was the consistent show, but for the better effect I would like to see some elder songs (such as "Moleskine" or "Marta Y Los Escaparates" from "Un Segundo Luminoso").

The Trunks (Friday 12th, 12:00, Plaza del Trigo). This was amazing, really one of the best shows of this Sonorama! Very loud, very melodic. Rodrigo Valiente is the great showman, and this show was the perfect confirmation of his abilities. Add to that the appearance of 1/2 of Igloo (Beni & JuanMa) onstage for one song, while Berto and Julian were backstage, depicting what was happening there with their mobile phones. One thing about The Trunks I should point out especially - the band sounded live MUCH better than on album. The album ("Bipolar" (p)2015) seemed to me quite overproduced, smoothed down to some kind of the averaged 'rich' alternative rock sound - but live the same songs were the delight to my ears. The songs became really alive.

Papaya (Friday 12th, 15:45, Charco). Yanara Espinoza and her small band were set to perform in the lovely place by the river. We were running as hell from Plaza del Trigo trying to catch her show and quickly found ourselves accompanied by other people that trod the same way. The audience was rather limited but it looked totally devoted. The music was apparently groovier than on the album, it got that vibe that would make you dance to it even if you had no such intention. 

Detergente Liquido (Friday 12th, 18:00, Carson Camping). This cool band didn't manage to gather much people as well, but it's not their fault at all. They were all what I expected from them in the best possible way. 

Amatria (Saturday 13th, 12:00, Plaza del Trigo). Joni started his concert from one of the best tracks of 2015: "Me Falta Algo". In seconds it made all the people on the square go dancing. It was pure fun with all these tracks like "Buhardilla", "El Golpe", "Chinches"... Closer to the final of the latter the members of popular dj duo ElyElla Djs appeared backstage with the pneumocrackers in their hands to make things brighter - and they surely made it as evidenced by the photo below. 

Paciente Cero (Saturday 13th, 19:00, Burgos). This band is hard to market. They play the alternative rock for sure - but their alt-rock has got this twist (some kind of Dredg's quasi-prog twist, I think) that makes them separated from most of the peers. So the passionate music of Paciente Cero hardly can be categorized as commercially viable - but it's ready for the cult following. The songs like "Mentiras", "Llevame" or "Solsticio" could be the hits on the 90's college radio stations - and live they sounded great.

Under the bottomline, I'd like to say the following. The post that I wrote on these bands (the link is above in the header of the section) quickly became the most frequently read post of this blog - this means that it's an interesting topic. To see such bands live is always the most interesting part indeed. Moreover, incidentally finding out the new cool bands is stunning process. It's star-crossed, it's godsend. Please never neglect the opportunity to see something new, and please remember that Sonorama is not about Miss Caffeina and Love Of Lesbian only. The most part of the line up is the bands you might have never been learned about. There's a lot of great stuff amongst them. 

Big Names:

Miss Caffeina (Thursday 11th, 15:00, Plaza del Trigo - concierto secreto). The big names are also important. The first of them appeared before our eyes on the Plaza del Trigo stage. The band played 9 songs including 3 main hits from their 3 longplays: "Capitan" from "Imposibilidad Del Fenomeno", "Hielo T" from "De Polvo Y Flores" and "Mira Como Vuelo" from "Detroit". "Detroit", the last album of Miss Caffeina, more than flirts with electronica - but live the songs sounded more guitar-oriented. For me it was OK.

Love Of Lesbian (Friday 12th, 15:00, Plaza del Trigo - concierto secreto/ Friday 12th, 00:25, Ribera del Duero). The most important thing you should know about Love Of Lesbian - this band got imagination. Their current status allows them to do everything they want. For their concierto secreto appearance they decided to turn themselves into The Cure cover band. It was funny and looked natural for LOL because they're always up to arrange something funny (apart from the cases when they choose more sad and bitter-sweet program to perform). 

For the main stage performance I expected them to be concentrated on songs from their latest LP "El Poeta Halley" but it was rather like '50% Halley/ 50% 1999 & La Noche Eterna...'. There was the huge crowd all around, and for the next 24 hours I thought I knew what band is The Most Important Band Of The Moment. 

After that performance I came to one important understanding: nothing could ever make me to dislike them. Even themselves.

Mucho (Saturday 13th, 19:40, Ribera del Duero). The band recently fronted by Marti Perarnau has oficially turned into 'Marti Perarnau and his friends' band. Does it make them worse? I doubt that, because there's no band in this world can be worsened by addition of Victor Cabezuelo. From my point of view, that show confirmed Mucho's ability to fulfill the later timeslots on the main stage.

Delorean (Saturday 13th, 02:50, Ribera del Duero). It was impossible for us to omit the show of the band most well-known outside Spain. Their sunshine electronica generated the happiness and warmth in our hearts, and what I remember the most is that I was smilling all this hour through standing there on the first line before the Ribera stage. Music's got a hold on me, it's shaking the ground where I am...

The pure bliss.

Cult Favourites:

Nino de Elche (Thursday 11th, 19:40, Ribera del Duero). We missed his performance. We tried to catch at least one last song running from Carson Camping after Clara Plath's set - but we didn't manage to do so. This is my only disappointment from this Sonorama.

Nudozurdo (Friday 12th, 19:00, Castilla Y Leon). After the secret concert of Love Of Lesbian we accidentally run into Clara and Roberto from Clara Plath. They were standing by the wall and drinking whisky with cola. "Are you going to see Nudozurdo this evening?" they asked us (Roberto already was in Nudozurdo's t-shirt), and we replied 'Sure!' 

I still consider "Tara Motor Hembra" one of the best albums Spain ever produced. Frankly speaking, I can't tell the same about their latest effort "Rojo Es Peligro" but I was pretty sure that live they would be louder and edgier than on "Rojo...". And it was exactly so. The plaintive vocals of Leo were supported by his intricate guitar work and the groundbreaking rhythm section of Meta (bass) and Ricky (drums).

Maga (Saturday 13th, 20:25, Castilla Y Leon). Newly reformed band celebrates now the fifteenth anniversary of "Maga (blanco)" and got this album re-recorded with participation of some of the most renowned musicians of local indie community (Ivan Ferreiro, Julio de la Rosa, etc.) These 15 years didn't make the songs like "Diecinueve" and "Agosto Esquimal" worse, and I believe in the next 15 years they will still sound fresh and cool.

La Banda Especial:

Shinova (Wednesday 10th, 0:00, Carson Camping/ Saturday 13th, 14:00, Plaza del Trigo). When Javier Ajenjo announced Shinova's appearance on Plaza del Trigo stage, he named them 'the future of Spanish music'. But before they had their scheduled gig on Plaza, Shinova performed in the General Guttierrez park on the opening night. Both times the Basque band did it very professionally, very emotionally and positively driving. Their kind of melodic alternative rock has got the potential, but what is more important - it has got soul.

Just to remind you: three years ago Izal walked exactly the same way, and look at them - who are they now? The indie superstars. So why not to repeat this?

Los Treinta Principales. #18. Nudozurdo "Tara Motor Hembra"

#18. Nudozurdo "Tara Motor Hembra" (p)2011 Everlasting Records

This album stands in the crossroads of post-rock, hardcore/post-hardcore and Los Planestas. The Madrid-based band successfully mixed fractured rhythmical structures with the energetic but smooth guitar work and plaintive vocals. While the first three songs are the best ones on the album in terms of memorability and accessibility (especially "Prometo Hacerte Dano" which was arguably the creative peak of Nudozurdo at that moment) the rest of the 10-song album is the most interesting part because of the band's experimentation with tempos, dynamics and the methods of expression. There are no two similar songs on the disc, and its emotional flowchart is fluctuating like a rollercoaster between bulldozer-fighting almost seven minutes long "Conoci El Amor" and even longer yet much more melodic violin-flavoured "Dosis Modernas".

The band was sparkling with ideas on "Tara Motor Hembra" and it should not be overlooked.

The best tracks: Prometo Hacerte Dano, Golden Gotele, No Me Toqueis, Dosis Modernas